Character Masterclass for Screenwriters
Take a deep dive into character development for film and TV with this 11-week programme in which you'll develop your characters from first idea to first draft
CHARACTER MASTERCLASS is here to solve that problem with our deep-dive, psychological approach towards character development. In what we believe to be the most comprehensive character-based training programme that there is, you will learn:
How to develop complex, compelling and memorable characters
How to craft emotionally-truthful, character-driven stories that keep your audiences engaged
How to create fascinating character relationships that keep your audiences coming back
How to structure your screen stories from a character-first approach
Welcome! How to work with this course
Character, theme and story
Developing tension
What makes a character compelling?
Brainstorming new characters
EXERCISE: Brainstorming a new character
Key Points
Optional viewing, reading and exercises
Developing your protagonist's goal and need
Giving your protagonist strong beliefs
Using a mood-board to develop your character
Key Points
Optional viewing and reading
Developing character complexity
Extroversion - Introversion
Agreeable - Disagreeable
Neuroticism - Emotional Stability
Conscientious - Unconscientious
Open to Experience - Closed to Experience
Memorable characters
How context shapes behaviour
Main Character Personality Worksheet
Personality Questionnaire
Example Main Character Personality Worksheet: Walter White (Breaking Bad)
Example Main Character Personality Worksheet: Tanya McQuoid (The White Lotus)
Example Main Character Personality Worksheet: Carmen Berzatto (The Bear)
Example Main Character Personality Worksheet: Mare of Easttown
Example Main Character Personality Worksheet: The Queen (The Crown)
Example Main Character Personality Worksheet: Tyrion Lannister (Game of Thrones)
KEY POINTS: Developing Character Complexity
Optional viewing and reading
Character transformation and writing from the flaw
Why the flaw is so important
Your character's wound
Your character's goal
Your character's flaw
Connecting character transformation to theme
When people transform
The events that transform us
How people transform
KEY POINTS: Character transformation and writing from the flaw
EXAMPLE: Character transformation of Walter White (BREAKING BAD)
Optional viewing and reading
From Character Transformation to Story Structure
Setting up your character in crisis
The Inciting Incident
Posing the Central Dramatic Question
Accepting the Challenge: Break into Act 2
Into Act 2
The Midpoint
Act 2 Part 2
The Lowpoint
Break into Act 3
The Climax
The Denouement or Resolution
Structuring the Tragedy
Alternatives to Three Act Structure
ASSIGNMENT: Story Structure Worksheet - Positive Arc
ASSIGNMENT: Story Structure Worksheet - Tragedy
Creating Secondary Characters and Compelling Relationships
Developing contrasting secondary characters using the Big Five
Using the Interpersonal Circumplex to develop character relationships
Styles of relationship and attachment theory
Creating dynamic relationships and chemistry between your characters
Issues of representation in creating a diverse cast
KEY POINTS: Creating secondary characters and compelling character relationships
Additional reading
This 11-week programme is for serious screenwriters of all levels who want to significantly advance their writing by learning how to create create more believable, compelling and memorable characters that grab their audience's attention and continue to keep them engaged.
Learn how to develop unique, believable compelling characters that grab your readers' and audience's attention and keep them engaged
Learn how to get your characters down on the page through action, dialogue and subtext that reveals personality, beliefs, intentions and emotions
Develop your screen idea from first concept for a character through to your first-draft film or TV pilot screenplay
Fully accessible course materials
“I would urge any film practitioner of drama, or indeed any writer of the narrative form, to take Kira-Anne's course on character. I’ve been a writer, director and producer for over twenty years, but this course is a game changer. Her marvellously researched and executed course is hugely enlightening and makes palatable many otherwise complex concepts. I had epiphany after epiphany. It has helped me hugely as a screenwriter and has also had a significant impact on my approach as a director. Kira-Anne not only has a fabulously incisive understanding, but also has the humility, warmth and sheer humanity to convey the information so that it is readily absorbed and immediately useable. Do this course and just feel the empowerment that new understanding will bring! I cannot recommend it enough!!”
“By the end of this course, you’ll know your characters better than you know yourself. I have yet to come across a workshop that goes into greater detail when plotting the personality, voice, and transformation of a character. Absolutely fascinating and invaluable to all fiction writers.”
“I just wanted to reiterate how useful the course has been so far, I’m honestly enjoying it so much and it’s great to think about things in a new way — I thought I knew my book 3 main character, but I’m learning a lot about her as the weeks go on! The format of the course is excellent as well, the short videos are easy to engage with.”
“I just wanted to say thank you for a brilliant course. It has been hugely interesting. It has made me rethink the detail in my characters, how they act and why. It has also reinforced some of the intuitive thinking that I'd had and built into my characters already. So thank you. There have also been things I've learnt about myself - traits I have and identify with, how I respond to characters I see on screen and how others in the group either respond differently or similarly. From that perspective, it was as much a personal journey. ”
“I spent five years and hundreds of dollars trying to find an authentic way to reconcile my main protagonist’s past with his present. One brainstorming session with Kira-Anne during her ‘Character Masterclass’ and she found the solution within ten minutes. Thanks for saving me a fortune on further coverage. I can’t thank you enough.”
“Great course! The course is structured really well, each section of the course builds on the last one. A lot of time has been spent ensuring the content, information shared, and pace are correct. The assignments reinforce the learning materials. I have learnt a lot and can apply the tools and techniques from this course to improve the characters, dialogue and stories for my scripts. Well worth it!”
“This course cover many, many, interesting points at a brisk pace that doesn't waste a second of your time. Well worth watching again - at least ten times !”
“Wonderful course, very very helpful in working out kinks in your own writing and sparking insightful questions and worksheets to help create new works or if you're just starting a new script. Can highly recommend this to any writer.”
“Highly recommended! A great course, that is structured over many weeks with regular zoom meetings that allows you to delve into your characters, truly understand them and elevate your writing to a higher level. Kira-Anne is a great teacher, giving support along the way and I feel have the tools and in a much better position to start my 1st draft.”
“Definitely worth every penny - it's transformed my writing. ”
We suggest putting aside around 3 hours every week to watch the course videos, read through the worksheets and case studies, then brainstorm ideas for your characters and work through the set exercises.
You'll need an internet connection that is sufficient to watch the videos as well as pens and paper and any screenwriting software of your choice (eg Final Draft, Highland 2 or Arc Studio Pro). A printer will be useful to print the downloadable worksheets, but isn't essential. There are also a number of films and TV series that we refer to and recommend watching and which are accessible via the main streamers. These aren't, however, essential viewing.
No. While we recap the basics, we provide completely new tools and insights from evidence-based psychology to help you create far more compelling characters. Many of the former students already had an MA in Creative Writing or Screenwriting.
No. This course is fully comprehensive, taking you from the basics to advanced character development. That's because we provide new insights into this process at every stage along the way.
No. This is a very practical course. While plenty of theory is included in this course, it is all clearly explained in the simplest terms, illustrated by plenty of examples from well-known film and TV series and then put into practice by giving you prompts and worksheets.
We think there is plenty. There are several areas included in this Masterclass that aren't covered in my book - or any others. Also, working through a very practical course, with assignments and film and TV clips illustrating every stage of the development process, is a very different experience to reading a book.
You'll have access to the course for a full year, which means that you'll have the ability to watch the videos as many times as you want and download worksheets for any new characters that you want to get started on. The other advantage of this is that while we encourage you to complete the course and exercises within 11-weeks, if you need longer, that's entirely up to you.